On one side of the world, a tyrant is overthrown, the oppressed are free, the world watches in true shock and awe.
On the other side of the world, Danny Gans is king.
Danny Gans, for those who have never been to Las Vegas, is an entertainer who... oh, sorry, he's not merely an entertainer. No, he's ENTERTAINER OF THE YEAR, writ large on countless billboards, bus cards, taxi roof ads, and, for all I know, on tattoos placed on each cheek of the Mayor's butt. The moment you deplane at McCarran and go to get your bags, there's the grinning face of the ENTERTAINER OF THE YEAR, looming over the baggage claim, perched atop his customary black turtleneck. Here in our hotel room- a hotel right across the street from the Official Hotel of Danny Gans- there's a copy of a tourist magazine, and right on the cover, crouching and gazing from in front of the publication's logo with a please-love-me expression, is the ENTERTAINER OF THE YEAR himself. Why not? He's the ENTERTAINER OF THE YEAR.
So, what does the ENTERTAINER OF THE YEAR do to become the ENTERTAINER OF THE YEAR? Well, he sings. He dances. He does impressions. He tells sincere stories about his family, his faith, his baseball career, his TV deals. And he does every single one of them poorly. Check that- not just poorly, but criminally bad. Awful. Sub-Star Search bad. Ted Mack's Original Amateur Hour bad. Cable access bad. None of his impressions are close. His claims to have been a heartbeat away from the majors- are of dubious veracity. The singing and dancing are karaoke-level. He's been telling the sitcom development story for years and nobody's seen a pilot. I've seen the ENTERTAINER OF THE YEAR perform live, and I can't remember a more cringe-inducing act, not even the Playboy Fantasy Revue at which I ended up, in an illness-and-alcohol-induced delerium, sitting ringside in Atlantic City inches from the Globe of Death and three male dancers in ape costumes miming to "Abba Dabba Honeymoon." The ENTERTAINER OF THE YEAR is horribly, mind-numbingly, incredibly awful.
Needless to say, he sells out every night.
That's because Las Vegas isn't of this earth. It's a parallel universe, with its own customs, own moral code, own celebrities. Ah, the celebrities. Your Jack Nicholsons and Shaqs and George W. Bushes can slide through a casino with no problem, can gamble and drink and dance relatively unmolested, noticed only in passing in Norm Clarke's column or Tim McDarrah's column in the next day's papers. But Danny Gans- the ENTERTAINER OF THE YEAR- will get mobbed. The Scintas are royalty on the Strip. Clint Holmes- "My name is Michael, I got a nickel..." Clint Holmes- is still a star here. Michael Flatley hops, Lance Burton makes magic, Rita Rudner slays 'em every night. There's even a Gallic imitation of the ENTERTAINER OF THE YEAR, a guy named Andre-Phillipe Gagnon who does impressions of singers that sound like the real thing if the real thing had a French accent and sounded nothing like themselves.
Have I mentioned that it's all great? Because it is. Nowhere else on the planet can you get ripped on paper-umbrella drinks and watch washed-up singers and unfunny comics and people you've never heard of and have no reason to have ever heard of sing and dance and joke their show-biz hearts out in a way that's like watching "World's Wildest Police Chases XIV"- you can't believe you're doing it, you're aware you're wasting time and brain cells, yet you're enjoying the spectacle. (Some of the acts are even- dare I say it- not bad: Clint Holmes does a surprisingly good version of the standard Vegas showroom act, and, yes, he's fully aware of his own comic washed-up-ness) Like the rest of Tourist Las Vegas, it's all tasteless, schlocky, over the top, and exactly what you want from Vegas.
Except the ENTERTAINER OF THE YEAR. Nobody should want that.
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