HIT THE ROAD, TAYLOR HACKFORD
The kids came by in a run of about 45 minutes, from 6 to about 6:45 pm this evening. Then they stopped. It's been more or less quiet since, the loud rush of wind through the palm trees competing with the sound of the wind chimes on the house next door. Some years, there's another bunch of trick-or-treaters at about 9 pm, but usually, when the flow stops, it stays stopped. I don't know about tonight-, but I hope the doorbell stops ringing. For about an hour there, I was reclining on the couch doing crossword puzzles while Fran occasionally answered the door and gave the kids their candy. Bliss. There may be a lot of M&Ms left over. That's fine with me.
We saw "Ray" the other night, and I promised a review. Okay, here: disappointment. There was nothing disappointing in Jamie Foxx' performance, whioch is everything you've heard it is and more- not merely an impression, he really has you buying him as Ray Charles, 100%. He's fine, and worth the discounted price of admission- hell, the FULL price, if we'd been sans coupon.
But then there's the rest of the movie. There's the weak writing with every possible device to get the audience murmuring, like when the eager underage kid with the horn outside the Seattle nightclub when Ray arrives fresh off the bus turns out to be... "Hey, kid, what's your name?" "Quincy. Quincy Jones." And you expect him to wink at the camera, in case you didn't make the connection. THere's a lot of that- "my name is Ahmet Ertegun, from Atlantic Records," says the weirdly shaved-bald guy at the door (hey, it's Booger! Booger from "Revenge of the Nerds" with the top of his head shaved!), "this is my new partner, Jerry, Jerry Wexler" (hey, it's the guy from "The West Wing" with a shave and the WORLD'S WORST HAIRPIECE). And there are the Floating Phony Headlines, the ones that serve to move the story along when director Taylor Hackford can't figure out how else to do it (stuff like "Ray Charles is Rocketing To the Top of the Charts!" that would appear nowhere except in the fevered dream of a hack writer), dashing across the screen the way they did in bad 1950's movies.
But I could put up with ALL of that until the Defining Moment, and if you intend to see the movie and don't like stuff like this given away then stop reading right here there's a scene where his dead mother and brother (who drowned while young Ray watched, pre-blindness) appear to him in a heroin-withdrawal dream and his dead brother says "I forgive you"!!! Really, they put that in the movie!!! And Fran heard some yentas in the ladies' room at the Regal Avenue 13 afterwards say how much they were moved by that!!! And a guy walking out behind us said he was weeping throughout the movie!!!
Now, I'm not one to look down on the public for liking what it likes. Even as I think "geez, how can anyone LIKE that?", I understand that, well, it's OK, some people like Red Lobster and more power to 'em. But when this kind of hack, rote, by-the-numbers work gets praised and sells big, Hollywood gets the idea that it doesn't really have to try harder.
And it doesn't.
And we deserve what we get, and are lucky when we get better.
And I'm okay with that, really, I am. Although it's a shame this movie didn't do Ray the justice he deserved- he deserved an epic and he got a TV movie-of-the-week. With Booger. Who sings. Sigh.
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