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October 8, 2006 - October 14, 2006 Archives

October 8, 2006

HOW I SPENT THE AFTERNOON

Nobody got beaten to death. There was nothing particularly embarrassing to the city of Philadelphia. And the Eagles won.

I'll happily overlook the fact that they came a few yards from choking this one away in a manner that might have been even more agonizing than the Giants debacle, saved only by Bledsoe's poor choice and Lito Sheppard's being in the right place at the right time. (And he came perilously close to being tackled and fumbling before he made it to the end zone, but at least he realized his mistake in time) Another painful win. I'll take it.

By the way, did that guy who used to play for the Eagles actually show up to the game? I didn't really notice.


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October 9, 2006

MYTUBE

Google bought YouTube. YouTube has deals with labels and networks.

That means you can say goodbye to the stuff that makes YouTube addictive, stuff for which someone somewhere probably owns the copyright and probably didn't even know it until now.

Stuff like Marilyn Monroe playing soccer:

Or the goals scored in the 1957 FA Cup final with Aston Villa beating Man. United- Busby's Babes losing the year before the air crash tragedy:

Or Coltrane's "My Favorite Things" on a TV show in 1961:

Or a full episode of the "GE College Bowl" from 1966, complete with Robert Earle and the NBC color peacock, pitting Agnes Scott College vs. champion Princeton:

Or excerpts from the legendary Wallace and Ladmo (still "It's Wallace?") from KPHO-TV in Phoenix in 1965, including live commercials they can't do on kids' shows anymore:

Or Reg Presley and the Troggs lipsyncing and pantomiming their way through "With A Girl Like You" in glorious black and white:

Or the long-lost animated 1954-55 opening to Groucho Marx' "You Bet Your Life":

Instead, we'll get useless officially-sanctioned clips that aen't nearly as cool as this stuff. It's already happening: NBC has "sneak preview scenes" from "Friday Night Lights" and "30 Rock" and "Heroes" posted, and CBS will be doing the same. Not interested. I want the random stuff, the ephemera. If YouTube becomes just another conduit for the same crap the networks air in primetime or music that the major labels are selling, I'm gone.

Now would be a good time to pray, pop culture aficionados.


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October 10, 2006

HOORAY FOR, UH, CULVER CITY

I made a rare foray away from the comfort zone today to have lunch with a friend at his place of employment, which happens to be a TV studio upon which pictures of his face are plastered. (Watch his show, willya?) Nice lunch, great to renew acquaintances, and it's always interesting to be on a studio lot. Fran and I worked on the Universal lot yesrs ago and kinda got accustomed to it.

The pros of working on the lot:

1. Occasional celebrity sightings.
2. Employee discount at the studio store, which can mean anything from cheap DVDs to discount HDTVs.
3. Free movie screenings, sometimes.
4. Bragging rights. Out-of-towners are impressed.

The cons:

1. Celebrity sightings are overrated. For every time I saw, say, John Travolta or Whoopi Goldberg on the lot, there were many more that necessitated explanation: "you know the guy who was in that movie? You know. That guy. With the hair. The GUY. You know."
2. The studio store never has anything you'd want, unless what you want is a coffee mug with the studio*ls old logo on it.
3. No popcorn- or anything else- in the screening rooms.
4. Everyone will tire of your "guess who I saw" stories really fast.
5. Parking's always a bitch. Plus, the commissary food sucks and some PA or producer-type is going to come close to running you over with a golf cart. And a lot of people on the lot walk around looking miserable.

That's why, I suppose, I haven't been particularly aggressive in pursuing TV work for a while. No, I don't see any celebrities here at the Home Office At the Edge of the Earth. No discounts or free movies or bragging rights, either. But I see Fran and Ella the Cat every day, I can have all the popcorn I want while watching movies in the living room, parking is plentiful and free, and all I see are happy, smiling faces (assuming Ella would smile if she could). Hollywood's interesting, but I'll keep Palos Verdes.


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October 11, 2006

PTNT DFNDS

Too busy today, so here's a visual, an SUV parked along my run today, snapped with a crappy cellphone camera:

Yeah, you want to go to a doctor who sues.


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October 12, 2006

THIS WEEK'S "THE LETTER": YOU CAN BE SERIOUS

This week's All Access newsletter should have been out by now, but it's held up somewhere in the system. Nevertheless, here's a sneak preview:

OK, this week, it's a very quick primer for those of you who find yourself on the air when a major news story hits the wires. I had another topic ready to go, but it can wait until next week.

I happened to be driving around for much of Wednesday afternoon when the plane hit the condo building in New York, so I got to hear how some radio stations in L.A. handled the crisis. The good news is that I found solid reporting where I expected it, including a simulcast of an all-news station from New York- if you wanted facts, live coverage of the Mayor and NTSB press conferences, and non-sensational, just-the-facts information, you could get it.

And then I decided to check another station, a sports station, to see what they were saying about the crash, since at that relatively early moment the news was breaking that the plane was registered to Cory Lidle. And on that station, the hosts were announcing the wrong number of deaths and stating as fact stuff that even the Mayor and NTSB weren't prepared to confirm. They were not in possession of all the facts, but they were trying to sound as if they were.

I guess you don't know whether a host can handle an emergency change from the usual light banter to serious news until something forces the issue. And that's why hosts who find themselves having to shift gears should follow these guidelines:

1. Stick to the facts. Get the wire copy, check news sources, put out the right information. And if you catch a headline rush by on CNN but you don't know the details, wait until you can confirm the details before going with it- you may be missing important details or context. There's no need to rush.
2. Label speculation as speculation. If you don't know something for sure, you can speculate all you want, but don't spread rumor as fact. How hard is it to say "we've heard this, but we haven't yet confirmed it"?
3. If you just can't help yourself, go get someone from your news department to handle the crisis. If, that is, your station still HAS a news department.

In fairness, I've found that most hosts are capable of switching from their regular act to serious news coverage- 9/11 brought out the professionalism in most of the hosts who happened to be on the air at the time. But if you're unsure of yourself, or everything's happening at a breakneck pace and you find yourself swimming in facts and rumors and uncertainty, just go with the facts, attribute everything when appropriate, hand it off to the news department if you need to, and remember, nobody expects you to be Walter Cronkite. They do expect the truth. You owe it to the listeners to get things right.

And I won't even mention how quickly the Cory Lidle jokes hit the Internet. At least I didn't hear anyone rush them onto the air that afternoon.

That's all I wanted to say on the matter, so it's time to segue into the usual All Access News-Talk-Sports Talk Topics column sales pitch, pointing out that you'll find a ton of topics for your show prep needs there right now, including the return of "irrational exuberance," a guy with unfortunate bladder timing, why your kids can't write in cursive, the best sports sponsorship ever, why you might want to skip that glass of carrot juice, the real reason you gain weight, an unfortunate burger condiment, why watching sports could hurt or even kill you, off-the-field proof that the Tigers haven't done this playoff thing in a long time, and why you're probably already too late for some critical holiday gifts, plus items and links and commentary about everything from North Korean nukes to politics to way too many stories about teachers, students, and sex. There's also a provocative "10 Questions With..." KIFR (106.9 Free FM)/San Francisco and KIRO/Seattle host Turi Ryder, more useful sports resources at the Talent Toolkit, and the rest of All Access with first/fastest/most accurate radio and music industry coverage, message boards, Mediabase charts, the comprehensive (and searchable) Industry Directory, and all the other features you've come to love, all free.

Next week, I'll get to my originally-intended topic of how the future of radio may have already snuck in through the back door, and what it might mean to your career, if I can figure that part out. I have another week to do that.


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October 13, 2006

GROUNDED FOR LIFE (ALMOST)

I'm watching an episode of "CSI" on the DVR right now, and they're doing a post-mortem. I could be doing the same for Air America Radio tonight, although technically they're not dead yet. Of course, anything I could point out- the lack of entertainment value, the stubborn insistance on reinventing the wheel with overstaffing and a battalion of writers, the inexperienced hosts, the shrill and unceasing litany of Bushliedpeopledied Kos-speak, the extravagant spending- is what a lot of others in the radio industry knew from day one. Mistakes were made, a lot of them. That's not news.

I'm no liberal, of course, but I still don't think it's impossible to make liberal talk work. There's an audience, but it's not for the politics, it's for the entertainment. Get an interesting and compelling personality and you get an audience. Make it fun, knock off the lecturing, and for God's sake don't make the mistake of thinking that anyone is dying to hear what Al Franken or Janeane Garofalo think about anything. Simple.


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October 14, 2006

AND THEN YOU GO AND SPOIL IT ALL BY SAYING SOMETHING STUPID

The Steve Lyons firing seems like an overreaction, I guess- I didn't hear the exchanges with Lou Pinella, but they seemed not to be completely inexcusable, just inartful and stupid, kind of like his Shawn Green comments. The stuff about the blind guy was worse, but that wasn't him alone; Thom Brennaman was part of that, too. They could have waited a day, let Psycho finish the series, then just not assign him to the World Series and quietly let him go. Maybe Pinella was more offended than he let on, maybe there was more to it off the air that we never heard. I don't know.

But I do know that I was far more offended by something Joe Buck said Friday night. In the ninth inning, with Billy Wagner in for the Mets, Buck started in on what he considered a relevant stat, something about how Wagner hadn't blown a save or lost a lead or tie against the Cardinals since 1999. He appeared to think this was significant, that it would offer some insight to what was about to happen.

He'd have been right, of course, had all or even most of the variables been the same or similar for thw past seven years. But today's Cardinal lineup isn't 1999's, or 2000's, or 2001's. And he's been with three teams in that time. Buck's statistic? Meaningless. So Wagner had exhibited mastery over a uniform. Was that important? Or was it a way to sound authoritative?

Everybody's focusing on Lyons' goofiness today. Nobody says a word about the utter uselessness of the stuff most network sportscasters spew. Maybe we get the sports announcing we deserve. At least we still have Vin Scully.


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About October 2006

This page contains all entries posted to PMSimon.com in October 2006. They are listed from oldest to newest.

October 1, 2006 - October 7, 2006 is the previous archive.

October 15, 2006 - October 21, 2006 is the next archive.

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