When you've got the blues like I do, there's a surefire cure:

Well, OK, it's not a cure. But it's a palliative, and when I was sitting here at the desk reeling from the week gone by, I decided to throw in the ol' Looney Tunes again. And this time, I watched one of the Warner Bros. studio's lesser show biz parodies, from 1956:

"Wideo Wabbit" is a terrible cartoon, actually- they took a second crack at the idea with better results three years later with "People Are Bunny," featuring a parody of Art Linkletter and some of the same gags as this one. But here's the setup, the classified ad that gets Bugs to the studio and sets the plot, such as it is, in motion:

QTTV at 1351 N. Van Ness might resemble KTTV at the corner of Sunset and Van Ness in Hollywood, which sat there for decades until Fox moved Channel 11 across town. In later years, it was Metromedia Square and sported a bizarre sideways-lightning-bolt-like scuplture on top; in the cartoon, it looked like this:

The plot, as I said, ain't much: Bugs is lured to the station to be the victim on Elmer Fudd's "Sportsman's Hour," a hunting show that inexplicably takes place on stage with a studio audience:

The usual chase ensues, with a character voiced by Frank Nelson doing a muted version of his typical Frank Nelson unctious "yeeeee-essss" voice holding down the fort...

...while Bugs and Elmer do the requisite dashing-into-studios schtick, complete with a visit to the "Liverace" studio. It's all standard fare and not terribly funny, except for this part, which isn't funny but is absolutely cringeworthy by 21st century standards:

And Bugs-as-Groucho- more precisely, Bugs doing an epically horrible Groucho impression- actually asks the $50. question "have you stopped beating your wife?" Hey, kids, it's comedy!
(The Groucho glasses and cigar come back at the iris-out, just so Bugs, having dressed Elmer in a pink bunny suit and blown him to smithereens, can come in, plunk the guise on the Fudd face, and, in Ed Norton garb, say "sheesh! What a grouch-o!"

That's all, folks.
The cartoon, on the whole, is a pretty fascinating look at the way Americans saw TV in 1956- all still shiny and new and modern, but also old-timey and vaudevillian. I do wish it had been funny.
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