ARREST THE PRODUCERS
Finally got around to watching the "Arrested Development" "finale"- four episodes back-to-back- from Friday. Here's a message to the producers:
End it now.
Don't try to keep it going. Judging by the last four episodes, you don't have much left.
This series was, at its peak, hilarious, unusual, too good for network TV, loaded with great stuff for attentive and savvy viewers. The latest season wasn't as funny as the previous two, but it had its moments, even as the "we know we're in trouble and we're going to load every episode up with self-referential humor" stuff started to overwhelm the rest of the material. The last four episodes, however, contained too few of those moments and too many strained, not all that funny, we-don't-know-how-to-top-ourselves bits, plus some gratuitous anti-war material that just didn't fit and some even more gratuitous "Tobias is gay and doesn't know it" stuff that took the previous seasons' "Tobias is gay and doesn't know it" material and compacted it all into one evening of alleged wackiness that just came across as heavy-handed. The final episode, rushing to a possible/probable/likely conclusion, was mirth-free except for the obvious but still amusing Ron Howard-as-himself cameo. Bottom line: the end wasn't as good as the serious could be.
But let it be the end. The writing fell off a cliff this season, as if they'd run out of places to take the characters, as if they never expected it to last this long. The Charlize Theron arc kinda flopped (oh ho, she's retarded! Ha ha!), and I'm hard pressed to remember anything else other than the episode featuring the "Save the Bluths" party. Let's not save the Bluths, though. Leave them where they are, on a boat headed for Cabo, destined for DVD.
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