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August 2008 Archives

August 1, 2008

YOU CAN'T GO WRONG TRASHING THE CABLE COMPANY

Yesterday's column got quite a reaction. It's evident that everyone hates their cable company and ISP. You'd think that the cable companies and ISPs would take note. In any event, it was a perfect illustration of my point about radio: bring the passion and people will relate. This time, they did.

I could do the same thing today about health insurance providers, and the lack of competition that means your insurer can screw you and you have no other options, no place to go. There's no free market, because the companies can collectively refuse to provide you with coverage, or can throw you into categories where you have to pay extra and only one company will sell you a policy (at top dollar) that allows them to refuse coverage for things that may be necessary. It's a bad, bad system. I'm not in favor of socialized medicine, but when insurers play games, I'm listening.

But that's all serious stuff. It's Friday, and we just got back from taking a well-earned break sitting on the patio behind the Starbucks With The Best View On Earth watching the sun set into the marine layer over the Pacific. I almost feel relaxed. Almost.


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August 2, 2008

OLD MIAMI TV SATURDAY

It's Saturday. I'm... very busy.

So enjoy a 1976 WTVJ Miami report on the last hours of Top 40 giant WFUN:

And a snowball fight on the University of Miami campus in January 1971:


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August 3, 2008

"AND THE DELIVERY..."

Skip Caray passed away today. I knew he was ill for a long time -- everyone knew -- but it's still weird to think that we won't hear him anymore. He was one of the most homerish baseball broadcasters ever, but, still, he was a voice of summer for decaades and, well, he'll be missed.

Plus, this'll probably mean that Mr. L. Wachs of Regular Guys fame will need to retire the impression, at least for now. Hey, Larry, one more "Don't step on downed power lines" Monday, for old times' sake.


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August 4, 2008

TODAY'S HITS AND YESTERDAY'S FAVRE-RITES

Brett Favre.

Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre.

Yeah, I have had enough. Favre wants to come back? He's back in camp? Whatever. Should the Packers let him back? Sure. Whatever. They don't want him? Their problem. I really don't care.

It's the same reaction I'm increasingly having to the prospect of going to see "The Dark Knight." I just can't get motivated. I'll probably go see Manny -- maybe I'll write about Manny Fever -- and I'll go see Teixeira, too, but it's hard to get motivated about it. It's like the iPhone and Obama. Enough, already.

Hype fatigue is far from a new thing, but it's hitting me hard lately. I get the feeling there's something wrong with me for not caring about Batman or Brett. I'm supposed to care. But I just don't.

(And woe be it to the poor soul directed here by a Google search because the name Brett Favre keeps repeating on this page. Sorry, dude. (You ARE a dude, right?) Go here for what you want)


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August 5, 2008

MORE FILLER, STARRING ELLA THE WORLD'S MOST FAMOUS CAT, FEATURING GOD AS HIMSELF

Is this adorable? Yes, this is adorable. It's Ella the World's Most Famous Cat just hangin' out in her new favorite position on top of the sofa:

And while we're showing photos, here's a car in the parking lot at Kohl's today. I'd say that the owner just hasn't met me yet:

There ya go.


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August 6, 2008

THE ROSE ROYCE THEORY OF ECONOMICS

The drying/waxing area at the local car wash is usually busy all day. On Wednesdays, they offer two dollars off, so it's normally even more crowded there. Today is Wednesday and I needed to have the crud washed off my car, so I headed up there, figuring on long lines and big crowds. Here's the drying/waxing area while my car was being piloted through the brushes and foam:

I wondered whether the economy has something to do with that. Car washes are relative luxuries. You can go a while without one, it's not critical to the performance of the car, and you can do it yourself for pennies if you have the time and energy. I don't have the time and energy, so I paid the ten bucks-plus-tip for someone else to do it. And I wasn't battling mobs. It's not exactly a leading indicator, but it's striking how people aren't spending on stuff like this.

Or maybe I'm extrapolating too much. I did, after all, have nothing better to do than to think about this stuff.

See if you can guess which car is mine:

Of course, and you can tell two ways: a) I don't drive a Mercedes, and b) mine is the one that has one lonely guy slowly working on it while the Mercedes gets attention from three guys. My life in a nutshell.


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August 7, 2008

THIS WEEK'S "THE LETTER": YOU'RE ON THE AIR

This week's All Access newsletter is about the lowly talk radio phone call and why we must embrace it like the special child it is:

There's nothing in talk radio programming theory as divisive as the phone call. I know hosts and PDs who think that there should be practically nothing but listener calls, 24/7/365, a steady diet of "you're on the air." Everything's measured by the percentage of blinking lights on the phone bank; it's a lot like how, at a ballgame, they put up a "Noise-O-Meter" on the scoreboard and flash "MAKE SOME NOISE!!!" and the crowd gets louder and the fake needle gets pinned in the fake red zone. (At least, that's how it is in L.A., where we only make noise when instructed by the Jumbotron) The goal of a host who thinks like this is to light up all the lines. You're not doing your job, it seems, until every line is occupied.

I know others who can't stand that at all, who would prefer to just do monologues or interviews. Listeners, they argue, have nothing to say and nothing to add. They're tuning in to hear the host and the guests, they insist. After all, for example, if you're discussing the Mets' floundering bullpen, who would YOU rather hear: some guy named Bob from Massapequa, or someone in Mets management? (I'd want to hear whoever sounds most miserable, but, of course, I'm a Phillies fan)

The truth, as it always does, lies in between, but I'm going to make the argument here that you want to lean towards the side that wants calls. Here's why: This is an interactive age. Generations are coming of age with the expectation that they can directly participate in everything. They read a news article and they can post an anonymous comment at the end. They see something happening in their neighborhood, they can take video of it and post it in minutes. They watch something on TV and they can go into a chat room to snark about it with other fans. That's a sea change for the mass media.

But it's nothing new for talk radio, which was doing interactivity before interactivity was even called interactivity. Where else could someone sound off on the hot topics of the day, live and with a large audience? In the old days, talk radio was it; you either called in or wrote a letter to the editor of the local paper, which wasn't guaranteed to run and was guaranteed to be edited into oblivion ("Dear Editor: These kids today! They don't know how good they have it! Get off my lawn! Sincerely, A. Codger, East Breadbox"). Only talk radio let you have your say, live and unedited.

These days, there are countless choices, but talk radio still has the same advantage. It's the best medium for someone in any situation -- at home or on the road, in the office or on a park bench, wherever there's a cell phone handy -- to interact with the news. Taking phone calls lets you offer interactivity. And even if 99% of the listeners don't take advantage, when you take a lot of calls, it lets the non-callers feel like they CAN be part of your show. Everyone CAN be a co-star with you. That's a powerful thing. They can be a "star" on the Net, too, but there's still an appeal to making your voice heard on a big-time radio show. Why do you think everyone gets so worked up over "balancing" talk radio and has a fit when some host says something controversial? You can say something outrageous on the Internet and nobody protests. Say it on radio and it causes chaos. Radio ain't quite dead yet, and talk radio is the least dead part of the industry. People still want to be part of it. For a lot of them, it's as simple as dialing your number.

There's more I can say about calls, like how to handle them and why you can't always measure your success by the number of lines you have lit up, but I think I'll save that for another week. In the meantime, let's just get to the obligatory plug for the Talk Topics show prep column at All Access News-Talk-Sports, where this week you'll find items about the FreeCreditReport.com guy (he's French Canadian!), rehab for Internet surfers, a guy who accepted a life sentence for murder in exchange for KFC and pizza, the "eco-resort" that illegally mined coal, how the economy's affecting dogs, John Edwards' alleged baby, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, men in pantyhose, 26 cheerleaders in an elevator, old guys playin' baseball, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, the guy who woke up just before being autopsied, America's Fastest-Dying Cities, the spot in Ventura County that's reaching 812 degrees, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Wi-Fi in the air, the smell of the Orlando airport, why people are working out in cemeteries, and why, when someone asks you to bring him two cheeseburgers, it's best not to bring three. And Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre, Brett Favre. There's also "10 Questions With..." KFI/Los Angeles ace reporter/anchor Steve Gregory and the rest of All Access with news so fast, accurate, and complete that you really don't need to go anywhere else for your radio and music industry information, plus columns, charts, ratings, jobs, and the Amazing Industry Directory, all free and updated pretty much all the time. Go, partake, enjoy.

Oh, and an open message to certain stations which know who they are: "HD Radio" doesn't stand for "high definition." Stop promoting yourself by saying you're "now in high definition." The audience is confused enough, and they're probably thinking "this sounds like the same old buzzy AM radio." Promote your content. Okay, I'm done.


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August 8, 2008

FIVE RING CIRCUS

The Olympic opening ceremonies are on TV right now, and we have them on, but I'm having a hard time caring. I know, I have a hard time caring about anything. This isn't on the increasingly short list of things about which I care. I couldn't pick Michael Phelps out of a lineup. That doesn't mean he's not an incredible athlete. It's just that I'm not into swimming, not into most of these sports, not into this iteration of the Dream Team, not all that enthralled with Beijing. It's me. I know it.

Then again, I'm the guy who still hasn't seen "The Dark Knight.". I'd hate to think I'm one of THOSE guys, the elitists who refuse to like anything popular. Maybe I am, though. Or maybe I'm just crabby. After all, I'm also the guy who considers "Green Acres" genius. In fact, I'd rather be watching Arnold Ziffel than the opening ceremonies right now. I suppose I COULD do that. But I kinda feel obligated to at least watch a little of the pomp. So I am.

Besides, Fran wants to see it. I know when I'm just not going to win control of the remote.


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August 9, 2008

AT THE MOVIES: "TRANSSIBERIAN," AIR CONDITIONING, AND TALKATIVE CODGERS

It was a little warm around the house today, and we didn't want to sit in the sun by the beach. so we decided that we'd go someplace with air conditioning. That narrowed things down a bit: mall or movie. And that's how we ended up at the local multiplex.

You think we went to see "The Dark Knight." You're wrong.

Okay, you're thinking, we went to see "Pineapple Express." Nope.

"Mamma Mia"? Hells no.

Try "Transsiberian."

Transwhat?

That was my initial reaction upon perusing the Regal Cinemas ad in the L.A. Times and seeing what was on the schedule for our theater. It just happened to be the next movie playing, it wasn't "The Dark Knight" (which, apparently, I'm on a mission NOT to see), and I figured the place would be empty, just the thing to enjoy the cool air and popcorn and plenty of room to stretch out. I did a quick look on the Net for reviews and discovered a few things: first, that it's playing at a grand total of two theaters nationwide, and second, that it's a thriller form the guy who made "The Machinist" that got some decent reviews. Also, it has Woody Harrelson, but I could overlook that if the air's properly chilled. I figured I could always take a nap if it sucked.

It... didn't suck.

Unfortunately, in guessing that the place would be empty, I forgot to figure in the Palos Verdes Peninsula's large population of senior citizens who go to any movie with vague art-house pretensions. The place was close to packed. And the problem with that was that seniors -- and here, I'm grossly generalizing -- tend to talk during movies, not conversationally, but in exclamations. "Terrible!", one senior blurted when something very bad happened to a character on screen. "It's only a movie!", the guy behind me told his wife when another bad thing happened. And, throughout, there were indistinct mutterings or outbursts from the other side of the theater. Teenagers are not the only people unaware that a movie in a theater is not like one on DVD at home.

But the air conditioning worked, and the snow on screen made it feel downright chilly. The popcorn was fresh. And the movie was pretty good. Woody was actually okay as a "typical American," Emily Mortimer ran the gamut from sweet to creepy to pathological, Ben Kingsley kept up the creepy angle, and the story moved forward faster than the train of the title. I liked it. You probably won't see it, but when it's out on DVD and you're looking for something diverting, go ahead and pick it up.

I figure that's what I'll do with "The Dark Knight." Or maybe I'll just be the Guy Who Never Saw "The Dark Knight." It's going to be a great conversation starter.


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August 10, 2008

IRRIGATED

The year of unexpected expenses continues with the sudden and untimely expiration of the lawn sprinkler system in the front of our house. One valve failed, causing a spray spectacular the likes of which can only be seen elsewhere at the Bellagio in Vegas. The difference is that the Bellagio can TURN THE DAMN THING OFF. I... couldn't. Even turning off the water at the house couldn't stop it. I finally popped the top off the valve -- the top that isn't supposed to come off -- and it wheezed into a seep rather than a cascade.

Here's what happened: Valve failed. Other valves failed. The front valve turned out to be tied into the system in a mystery configuration that may be directly into the main water valve. The shutoff had, in the course of a few decades, ended up buried in a foot of mud. The guy came out and capped the failed front valve, checked the system, noted some pieces that were brittle enough to almost crumble in one's hand, and... well, it'll be another grand that I really didn't want to commit to repairing the sprinklers.

That's on top of medical bills, eyeglass bills, business expenses, all those car repairs, and I still need, badly, to replace the practically dead Sony laptop I lug around to all those conventions. And we're fighting the medical insurance people over disputed expenses. Plus, the fence is still listing precariously under a pile of ivy and the quotes all came in at a ridiculously high level -- we're paying the pricey-zip-code premium, where the workmen add a grand or two because, well, if you live in this zip, you can (ostensibly) afford it. I'm afraid of what comes next.

I don't know what this is in the Chinese calendar. On my calendar, this is the Year of Surprise Bills. Is it January yet?


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August 11, 2008

FILLERELLA

I'm a little busy tonight. Gotta run.

Here's another Ella the World's Most Famous Cat picture:

Aaaahhhhhh. Cat.


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August 12, 2008

MOM 'N' ME

Here's another picture. This time, it's my mother and me, circa 1961 or so.

I was so adorable, no? So was mom, even though she looks like she's thinking dark thoughts while my dad fiddled with the camera. Her name was Phyllis Simon, she was a courageous survivor of the Holocaust and a caring, wonderful person, and she's been gone for 14 years this month. I just wanted to add something to the Internet to let people know she was here and she left the world a better place for having been with us.

I miss her a lot.


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August 13, 2008

END OF DAY

It's hot in the office, I'm tired, and some material I was hoping to get for a column didn't materialize thanks to a less-than-responsive PR person. My knee sprang a new ache, and dinner was a shoveled-down Lean Cuisine pizza.

So why am I in a decent move?

Because it's almost over for the day. One more thing and I'm done. And then I get to relax.

And that's why I'm bailing on this right now. The sooner I get the other thing done, the sooner I hit the sofa and lounge around with Fran and Ella TWMFC. I'll show myself out.


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August 14, 2008

THIS WEEK'S "THE LETTER": WHAT DO YOU MEAN, "I CAN'T WORK WITH EGGS ANYMORE"? YOU'RE HAM! NOBODY WANTS A HAM SOLO!

This week's All Access newsletter is about performing teams, those that work and those that don't, and what happens when they just can't stand the sight of each other anymore:

It's sad to see a partnership between two performers break up. One moment, they're hitting on all cylinders, perfectly complimentary, sounding great; the next, they're angry, bitter, not talking to each other. And then, it's all over, irreparable, a good thing finished, done, kaput.

I refer, of course, to John Mayer and Jennifer Aniston breaking up. Such a shame.

(Is it wrong of me to admit that I was only vaguely aware that they were even an item in the first place? I guess I don't spend enough time with Us Weekly)

No, we're talking about radio partnerships, because the final dissolution of WFAN/New York's Mike and the Mad Dog became official Thursday night, and it got me to thinking about the teams with whom I've worked, and the ins and outs of managing them. I had several teams on my stations over the years. Most worked; some didn't. And in that time, I learned a few things about radio teams, like:

1. Many of the best teams come together organically -- that is, they put themselves together rather than when a manager or consultant says "you and you -- you're working together now." There are some pretty huge exceptions -- Mike and the Mad Dog are a major one, and there are others -- but there's something about a team that decides on its own to work together that's hard to replicate. It's not necessarily friendship, but when two hosts bond over common interests and decide to work together, it comes through on the air. But that doesn't mean that they have to even like each other, which leads to....

2. It helps to be a good amateur psychologist when managing a team, because there are probably going to be personality conflicts and you are going to have to talk someone down off a ledge from time to time. And by "from time to time," I mean practically every single night with some teams. Having a good on-air partnership doesn't always go hand-in-hand with a good off-air relationship. In fact, it is very possible to have a good show hosted by a team that doesn't even talk to each other off the air. It happens. In that case, you have to mediate disputes with the understanding that no matter how hard you try to be fair to each partner, in the end everyone may think you're on the other guy's side. Hey, if they both hate you, maybe they'll bond.

3. Speaking of favoring one over the other, it's rare to hear a good team where there isn't a clear lead voice, one partner who drives the show. Again, it's not always the case, but in general one partner needs to be the lead. One should handle things like all the formatics -- introducing the segment, time, call letters, phone number, taking the calls. It just sounds better when there's consistency. That's a delicate thing to ask of the partner who won't be in the lead, but it also doesn't mean that the "secondary" host is secondary at all. It's not a lot different from a standup comedy team -- straight man and funny guy, rarely two funny guys and, of course, never two straight men, although that would be interesting in an absurdist way ("Who's on first?" "Albert Pujols. Thank you, we'll be here all week!").

4. It sometimes takes a long time for even the teams who come together themselves to realize that they're more than the sum of two parts. They may be perfectly capable of solo shows, but two very good hosts can make a great show, and that's hard for some egos to take. A program director should help them come to that conclusion, but it's a waste of time to just tell them "you're better as a team" point blank. Some things don't sink in unless the individuals independently come to those conclusions.

But sometimes, no matter what you do, two personalities just come to a point where they can't work together anymore, no matter how good the show is, no matter how successful, no matter whether they're better as a team than as individuals, no matter whether they know that or not. Since I'm not a PD anymore, that's no longer my problem. But as a listener, I'm sad to see a good act come to an end.

I really don't have a slick segue this week -- it's been hot and humid here, and I think it drained all the creativity out of me -- so let's just do it. You know about All Access News-Talk-Sports and the Talk Topics show prep column, so I'll just tell you that this week's Big Pile O' Topics includes items about the odorless toilet, what items are still selling in the bad economy (hint: they'll get you drunk, fat, and suffering from emphysema), a school band's disappointing China trip, the perils of bad handshakes, why not to get your name tattooed on the side of your head, rude Disney underwear, a neighborhood plagued by used adult diapers, college students on food stamps, how suggestive cucumbers may have set the terrorists' cause back in Iraq, an appearance by Bigfoot (maybe, sorta), bird poop facials, a poker-playing computer, and Wacky Packages, plus items about all that pesky "real news" like the Russia-Georgia conflict and the Olympics and the election (real and bobble-head versions) and John Edwards. Don't forget to read "10 Questions With..." WGMD/Rehoboth Beach's Bill Colley and the rest of All Access with the radio and music industries' leading news coverage, columns, ratings, job listings, the Industry Directory, and more, all free.

Next week, perhaps I'll write the column I actually started to write for this week before my train of thought was so rudely interrupted. Perhaps I'll remember what I was writing about. Perhaps I should make notes before writing instead of sitting down at the last minute and hoping the words will pour onto the screen by themselves. Anything's possible.


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August 15, 2008

MALIBU BAR BEE(R)

The week started badly, didn't improve a lot as the week wore on, but then came Friday. We headed up to the All Access headquarters, where I got some new publicity photos taken and got to see everyone, a rare occurrence. And then Fran and I headed for Happy Hour and an early dinner at Duke's:

That's a tiki-like bar behind me and the Pacific Ocean over my shoulder. A Newcastle Brown Ale is on its way. The sun is warm, the waves are crashing against the rocks, and the week's work is done.

Doesn't get much better than that. You'll forgive me for the grin of contentedness.


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August 16, 2008

THINGS CHANGE

I don't want to waste any of my precious half-day-off by writing a long screed, so I'm going to just mention here how I was listening to a particular station at which I once worked today, and heard a regular weekend host talking to a dermatologist. And then one of the station's weekday hosts called in to praise the dermatologist's system, and soon they were in full-shill mode.

Infomercial. With two regular station hosts. Shameless.

See, if my GM told me that two of my regular hosts would be involved in an infomercial, I would say no to it. And if they insisted and I was overruled, I would quit.

And that, in a nutshell, is why I can't program a radio station in today's climate. I could never say yes to that.


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August 17, 2008

OTHERWISE ENGAGED

The next couple of days are going to be way busy, as I cover for a co-worker who'll be out and while the guys come to work on our sprinkler system and my bank account. So don't expect a lot of insight here.

Really, though, someday I have to master the art of being busier AND making more money from the additional exertion. Haven't figured out how to do that yet.


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August 18, 2008

HAS A NICE RING TO IT

We have arrived at the moment in time where a new cell phone is in order. We are now eligible for the two-year discount, and our Treo 700wx-es -- we have matching, his 'n' hers smartphones! How adorable! -- have just about had it.

REASONS TO DUMP THE TREO 700wx:

1) It's huge.
2) Bluetooth dropouts are frequent and annoying.
3) Slow.
4) Awkward interface.
5) Windows Mobile 5.

So, what options are there for us? iPhone, you say? Well, I'd agree if there was ANY AT&T service here at all, but there's none. Oh, if you walk outside the house and the wind's blowing off the ocean, you can sometimes get a bar. Otherwise, nada, and along my daily running route, when I most need to be connected to the office, there's no signal, not even roaming. Neither GSM provider has towers on this side of the hill; forget 3G, they can't even get voice service out here at the edge ot the earth. Hardwick warned me that the iPhone 3G's problems outweigh the coolness so far, but I'd STILL be interested if there was a signal. No signal, no deal. So no iPhone.

That leaves CDMA, meaning Verizon and Sprint. In this area, Sprint has a better signal, and they're cheaper.

PROS FOR SPRINT:

1. Signal.
2. Cheaper.

CONS FOR SPRINT:

1. It's Sprint.

That's pretty much enough for most people to look elsewhere, but add to that one more:

2. The phone selection sucks.

Sprint tends to have clunky bricks or cheapish knockoffs of the phones people really want. AT&T has the iPhone, Sprint has the Samsung Instinct -- not that close, no cigar. When others had the Motorola Q (in the brief time the Q was a hot item), Sprint came out with the Blackjack -- not the same thing. Sprint DOES have BlackBerry models, but I don't want a BlackBerry. I want... well, here's what I need:

WHAT I NEED:

1. 3G.
2. Bluetooth that works.
3. WiFi.
4. A useable browser that does Javascript and renders pages the way they're supposed to look.
5. E-mail that doesn't suck.
6. Large, sharp touchscreen.
7. Ability to install third-party apps like SlingPlayer.
8. Optimally, a QWERTY keyboard.

No phone has it all. The iPhone comes close, but I've already mentioned why it won't work. That leaves the new Treo 800w and the new HTC Touch models that are coming out in the next two months. The 800w is a little thick and heavy, and it's pretty ugly; the screen is small and the interface is WinMo, and it still offers the abysmal mobile versions of Outlook and the Office apps, but it has a front-facing keyboard -- ideal for one-handed use -- and everything else I need. The Touch Diamond, whatever it will be called by Sprint, has no physical keyboard, but has a larger screen, better camera, and is much, much thinner and lighter, plus it has a decent interface laid on top of WinMo 6. The Touch Pro, which may end up being called Herman -- no, really -- for Sprint is thick, bulky, and has its QWERTY on a slider, but it has a nice big screen and everything else I need.

All three will cost too much. All three will be disappointing compared to the iPhone. I'll be stuck with whatever I choose for two long years unless I pay an early termination fee (assuming that the courts don't uphold the ruling banning those charges). But it's down to one of these three.

For once, I just don't feel confident about a technology decision. Suggestions welcome.


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August 19, 2008

25 HOURS OF WORK IN A 24 HOUR DAY

As I mentioned, it's still busy time with extra work all day, but tomorrow should be a little less stressful. Maybe I'll even have something to say.

Not that a lack of something to say has previously stopped me.


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August 20, 2008

NO MAS?

Today's excuse: I have none.

But I have been thinking about this thing. I've been doing this blog for almost 5 1/2 years now, and as time becomes more precious, the chore of writing something here has become just that, a chore. When it gets to the point where I think "I HAVE to write something for the site" instead of "I WANT to write something for the site," it's time to reconsider what I'm doing here.

I've pretty much kept the promise I made to myself five years ago. I wanted to see if I could come up with something every day, and, with varying degrees of quality, I have. But, these days, if I'm not writing for pay, I'm wasting my time. Freelance writing is a tight market right now, and if I'm not selling what I'm writing here, I could use the time for other things, like, maybe, a few hours of "Guitar Hero" every night.

So I'm thinking about lessening the frequency of posting here. I know that I'll have some additional duties as All Access continues to grow, and I'm working on other things that hold out the promise of payment, someday, maybe, sort of. But I also know I have an audience here, one large enough for me not to want to abandon. So I'm torn, and I'm wondering what I should do. Suggestions welcome. Letter tomorrow as usual.


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August 21, 2008

THIS WEEK'S "THE LETTER": LITTLE KING OF EVERYTHING

This week's All Access newsletter is pure fantasy. Or... IS it? Um, no, it's fantasy, pretty much:

It's hard to be an ex-program director. (Cue violins) The problem is... well, first, here are the positives: No more worrying about ratings. No more commute. No more trying to tell the General Manager why having someone threaten to protest out front with pickets is a good thing. No more deflecting salespeople when they try to slip an endorsement proposal to the talent.

And no more hearing something go wrong on the air and having to fix it. But that's also one of the things that's hard about what I do now. I hear a lot of stuff that needs fixing, and I... can't fix it, because it's not my job. I get frustrated. It's hard to just sit there and listen. I want to sit someone down and make it right. (And it's especially hard on my wife, who has to hear my complaints about mistakes and bad production and malformed topic setups and nod in agreement while I suspect she's thinking that perhaps I'll shut up if she feigns interest)

This came to mind again when I saw that there'll be a panel down at the Austin convention with a bunch of industry leaders discussing what they'd do if they were President of Radio. (See, there's an election going on, and they're...) I thought about that, and I realized I don't want to be President of Radio. Presidents have to deal with the Congress of Radio and the Senate of Radio, and maybe they'd have to pay attention to the Donors of Radio and the Lobbyists of Radio, and it would be a lot of work and a lot of diplomacy and there wouldn't be enough time to spend with the First Lady of Radio. No, I would prefer to be the Benevolent Dictator of Radio. No negotiation, no diplomacy. What I say, goes. Enlightened absolutism. Okay, granted, the term "Dictator" is a little loaded, but I just want things exactly the way I want them to be. Is that too much to ask?

If I ruled the (radio) world, here are a few of the things I'd want to get done right away (and keep in mind that I KNOW THIS IS FANTASY and it'll NEVER HAPPEN and economic pressures mean that it's all IMPOSSIBLE. Allow me to dream, please):

1. All program directors would handle one station, period. No more having to deal with three stations at once. They would also be relieved of their paperwork duties, and would therefore have the ability to listen to the station without distraction. That way, they'd be able to hear, and fix, problems right away.

2. All hosts would have 30 seconds from the start of a segment to get to the point. Meandering monologues would be dealt with by the application of a large spring-loaded mallet descending from the ceiling.

3. All standard news-talk imaging would be banished. It's not 1956. All stations would be given until tomorrow to replace the old music and stentorian voices with production that appeals to someone under 60 years old.

4. No more infomercials. (I said, I KNOW IT'S FANTASY) Oh, and no regular talent would be allowed to do brokered shows or infomercials, either. I heard a weekday host on a weekend brokered show this past weekend shilling for a dermatologist and... no. Just no.

5. I'd lock the ratings folks and the group heads in a room until they ironed out all the problems with PPMs. And then I'd sit all programmers and hosts down and tell them that the secret to surviving in a PPM world is... just do compelling radio. Look at the minute-by-minute breakdowns and what it really shows is that people tune out when you go on and on about something boring, and stick with you when you're entertaining. So you can't skate by with a middling topic, and you can't indulge yourself with rambling monologues. Imagine that.

6. I'd lock the copyright board in a room with rabid squirrels, just because. Then I'd come up with a simple, affordable fee structure by which the RIAA, SoundExchange, the artists, stations, webcasters, satellite, and podcasters would have to -- and could -- abide; no negotiations, no arguments, just my way or nothing. I pick a number and that's it. And then I'd lift all restrictions on competition and let 'em all go at it, broadcast vs. satellite vs. streaming vs. iPods vs. customized online stations vs. downloads. May the best entertainment proposition win.

7. Any programmer who puts any variation of the slogan "the best hits of the 80's, 90's, and today" on the air gets slapped in the face. Repeatedly. With a fish. I'm sorry, but it has to be done. My rules, my decision, no appeal.

8. Certain hosts and stations and programmers would be exempt from some or all of the rules, at my sole discretion. What fun is it to be The Law in These Parts if you can't give some people a break?

There'd be more, way more, but we'll save that for another round. (Besides, I'm tired, it's the end of the week, and there's an L.A. County Sheriff's Department helicopter circling over my house at the moment, which is impossibly distracting) If you have a wish list of your own, send 'em along and maybe we'll round them up for another column. Let someone else imagine being President of Radio. It's much more fun to rule with an iron fist.

For my next edict, I say we move on to the plug for All Access News-Talk-Sports and the Talk Topics column of show prep goodness. So far this week, the topics include why not to kick up a fuss at the airport, the latest in Monopoly news, why not to trust a guy who lists "Lolita" as his favorite book on his MySpace page, why you should bring back those overdue library books, a guy who left a particularly unusual legacy, how to deal with co-workers whose hygiene and habits are less than optimal, why California wants hybrid cars to make more noise, the not-so-mysterious mystery of the Black Mailbox (which isn't black), Charles Barkley's colonoscopy, aassault with a garden gnome, the ugliest college campus in America, the Amazing Motorized Office Chair, a nine foot tapeworm, "American Idol" auditions, the fattest states in the Union, why not to go kite surfing in a tropical storm, the dangers of cheerleading, and much more, including items about the election and the economy and stuff like that there. Then, enjoy "10 Questions With..." Oakland A's Broadcasting Manager and studo host (and syndicated "Country Fastball" creator/host) Robert Buan and the rest of All Access, which continues to pump out the radio and music industry's fastest, most complete, most reliable news coverage at Net News, plus ratings and jobs and all the other great stuff the rest of the All Access staff puts out all day, every day, for you, for free.

Good news: The police helicopter left. They must have been looking for someone else. For a moment, I thought they were on to my radio takeover plans. It's tough to be the King.


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August 22, 2008

EVERYBODY LOVES DESPOT

I'm not sure what it says about the world that a column on how I'd like to be a dictator got a tremendous positive response. I'd like to think the response was to the humor and the common frustrations we all have with the state of radio today and not to my need for absolute power. But you never know. The appeal of just stepping in and making things right -- or making people bend to your will -- is pretty powerful. And fun.

Anyway, there were several good responses with suggestions for more things to fix, so there'll be a sequel. Not right away, but soon. I don't want to return to the well too quickly.

And it's writing something that gets a good, and widespread, reaction that reminds me why I write. The other day, I was wondering if this is all worth it. I still don't know if the blog has run its course or not, but knowing that someone's out there reading it and maybe even enjoying it certainly makes me think that continuing is the way to go.

But it's Friday evening, and that means I'm done for the week. So I'm going to go watch the rest of the Phillies-Dodgers game, and then I'll slowly, gratefully lose consciousness and embrace the few hours of down-time I get every week. You should do the same.


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August 23, 2008

OFF DAY= GOOD DAY

Saturday is my day of relative rest, which is why I'm probably the only person not writing about Biden. A day off is a day off. That explains why I'm on the sofa watching TV and playing video poker on this iPod Touch.

In other words, this is a good day.


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August 24, 2008

NOT OFF DAY

I've been working all day today, and when I'm finally ready to knock off and go relax for an hour before having to go to sleep, naturally, I get an assignment that just has to be worked immediately. I am totally fried and I can't stop working.

And you want me to write something here? Ha.


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August 25, 2008

I DON'T WANT TO GO TO CHELSEA

I don't want to watch any convention stuff. It just bores me.

I don't want to go to Ralphs. I need to buy a few things, but I just don't want to get in the car and go.

I don't want to work late tonight. I have to, but I don't want to.

I don't want to read anything right now. Not on line, not on paper. Just want a break.

I don't want to watch anything that's on TV at the moment. I have the Phillies-Dodgers on, but I'm only half paying attention.

I don't want to clean the office. I don't want to write anything. I don't want to go out and bring in the recycling bins from the curb. I don't want to drive anywhere, walk anywhere, do anything.

Happy Monday!


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August 26, 2008

NOTHING WEEK CONTINUES

It really is Nothing Week here. I haven't been watching the convention, I haven't been doing anything interesting, I've just been working and subsisting. How dull has it been? Today's excitement was the purchase at Albertsons of several bags of Whisker Lickins -- crab flavor -- for Ella the World's Most Famous Cat.

That dull.

I could make this a regular event, like Shark Week on the Discovery Channel. "Tonight, Perry readjusts the sprinkler head on the side of the driveway... on Nothing Week." "Perry checks the mail... and it's a ValPak and a Pennysaver! Tonight... on Nothing Week." Considering how things have been going this year, I should be happy that we didn't get another major-repairs-costing-thousands-of-dollars situation, although I shouldn't say anything, lest a jinx be in effect. But it's quiet, very, very quiet.

I'm okay with quiet, actually, but I'm afraid it's not much to write about.


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August 27, 2008

MORE LOST TV

Still glowing from the Phillies' comeback last night. While I'm in a good mood, it's time once again to plunder YouTube for the kind of video only I would find interesting. Sorry -- you'll have to bear with me.

This is unbelievably cool to me:

It's a 1955 weather report from WLWT Cincinnati, complete with local commercials and station ID. The sound's awful and the kinescope quality is, too, but there's so little of this material available, you have to take what you can get.

How about this:

It's a segment from a 1953 airing of "Your Show of Shows" touting the coming "compatible color" television. The beginning of a new era. RCA had just won the color war over CBS' color wheel system, which would have required new sets.

How about...

Don McNeill's Breakfast Club, the ABC radio show, in a TV special from 1948, featuring singer Jack Owens, whose nephew is the guy who flips bags of peanuts into the crowd at DOdger Stadium. Really. It's the first of several parts you can find by a search on YouTube.

Someone out there didn't destroy all the old videotape:

WKOW-TV is the ABC affiliate for Madison, Wisconsin, and this is from their 50th anniversary in 2003. Again, it's a case where you get to see the stuff most stations threw away - the news, the station IDs, the local shows.

I love this stuff.


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August 28, 2008

THIS WEEK'S "THE LETTER": METER READER

If you're not in radio, this week's All Access newsletter may appear to be incoherent. If you ARE in radio, it STILL may appear to be incoherent, but at least you'll know that it's about the incoming portable people meter ratings system and why I think that there's a danger from programmers overanalyzing the results they'll get:

With the portable people meters being expanded into more markets, I'm getting more and more people asking me what they should be doing to maximize ratings under the new system. And the advice I always give them is to pay me a large sum of money and I'll be happy to work something up. I'm tired of giving all my advice away. Turns out the mortgage company doesn't accept "industry goodwill" for the monthly payment.

But then I feel guilty, and I tell them some of my observations so far. And before I do that here, I'll stipulate that I'm not going to get into the controversy over the accuracy of the PPM and the sampling problems and accreditation -- that's a separate issue for another time. If you're a show host or producer or PD, your concern is what the meters show and what effect the content of a show has on the numbers. After all, you can take those numbers and look minute-by-minute and measure exactly how well, or badly, a particular topic or phone call or show element performed. And, face it, that's the most entertaining part of the package; your first inclination is to have every moment cross-referenced and analyzed into a pulp.

But with this wealth of information comes a danger. There's always been a tendency among radio people to look at ratings as a system to be gamed, and they look for tricks and methods to maximize their numbers. There's nothing wrong with that; I'll admit to having done that myself (with diabolical success, I might add. Heh). But that obscures the greater truths, as I see it, of this new era:

1. If you've been doing this right all along, you have nothing to fear. And that's because...
2. What got you ratings in the diary system will get you ratings in the PPM system. Namely...
3. Be entertaining and compelling and people will listen longer and your share will rise. And...
4. Since every slow or boring or aimless moment will show a ratings dip, you can't afford to be slow or boring or aimless...
5. And that's absolutely no different from what you're supposed to have been doing all along.

That's why spending hours analyzing each show and measuring the effect of each topic and each comment and each throat-clearing, while useful and entertaining, in some ways makes this seem more daunting than it should be. Plus, it poses the real threat of overanalysis and unnecessary panic. By all means, check out what topics held the audience and which didn't, and if there's a show element that sags, fix it or kill it. But remember that overanalysis leads to paralyzing talent, to overthinking everything when "just be entertaining" is most of what you really need. If you're a PD and you subject a host to a detailed minute-by-minute of everything, you're risking driving the talent crazy, like you need to add to that. Entertaining material, fast pace. Same as ever. Don't overthink it.

And insofar as gaming the system, well, the shares dip the most when commercials come on. Are you going to get rid of commercials? If you REALLY want to game the system, go to all-Christmas music. Do it right now, before anyone else does it. The perfect meter-ready station would probably play nothing but the top-testing Adult Contemporary hits with no jocks, no commercials, and Christmas music for at least the fourth quarter. But anyone could do that with an iPod, and it would just hasten radio's descent. Personality wins in the long run. But that was another Letter, if I recall correctly.

The meters will help a lot in determining things like the effectiveness of promotions, the effect of big news events, and gauging when a long-running topic's gotten tired. But as valuable as the data will be, it doesn't replace the simple idea that an entertaining show, a well-programmed station, the right mix of talent and topics and imaging and pace will win, no matter how it's measured.

And I may be proven totally wrong on this. Someone may spend years poring over the data and come back with The Ultimate Formula for Perfect PPM-Friendly Talk Radio. I'm betting, though, that it won't be a lot different from what you do -- or should be doing -- already.

Now, if the PPM measured this letter, we'd be at the part here where everyone tunes away to go read another e-mail or TMZ or something. That's as good a time as any to do the plug for All Access News-Talk-Sports and the Talk Topics column, where you'll find a heaping pile of show prep including items on the perils of wearing baggy pants while running from the police, another really fat cat, fried everything at the Texas State Fair, some expensive cognac, a blasphemous piece of artwork involving a frog, the popularity of slicers, how your pet can save your life, a town that wants to regulate house colors, a guy who... who... well, yeah, I'm pretty much thinking about the long weekend, too. So let's just remind ourselves to read "10 Questions With..." WCBS/New York Director of News and Programming and veteran news ace Tim Scheld and the rest of All Access with the industry's best/fastest/most complete news and ratings and job listings and much more. And it'll all be here even throughout the holiday weekend. All Access never rests.

I'll soon get to some of the responses to last week's "Benevolent Dictator of Radio" column and some of your wishes for the industry. In the meantime, enjoy the Labor Day weekend.


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August 29, 2008

THE TV VAULT: BUSTED PILOTS AND THE VOGUES IN SOMBREROS

The Internet Archive has become a favorite place for me to root through the dregs of classic TV. What kind of crap? Try this busted 1962 CBS sitcom pilot, "Little Amy," with a cast of no-names, and guests Jack Albertson, Doodles Weaver, and... Jack Nicholson as a football coach. Whatever happened to child star Debbie Megowan? The trail runs cold after 1965. But she did appear in "The Days of Wine and Roses":

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Here's a painful 1962 sitcom pilot called "Time Out For Ginger," starring -- no, "Introducing Candy Moore," who became perhaps best known as the first wife of the late Paul Gleason, AKA the guy in "The Breakfast Club." Weirdly, the only evidence of this one is a listing for "Life With Virginia," which aired as part of a summer replacement anthology on NBC. But it was produced by syndicator Ziv Television, and it's pretty much the same show with the same cast. Oh, and "Ginger" could not be more annoying and shrill:

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Robert Q. Lewis!:

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A 1955 "Name That Tune" clip show!:

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"Beany and Cecil," from 1962! (I even had an inflatable Cecil for the beach and pool - somewhere, there's a picture of me with it...) (wait for the ad for toy guns -- a machine gun! -- at the end):

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And a truly awful print of a show my sister and I watched every day each summer, "Where the Action Is!," a DIck Clark show for which we can still sing the theme song - this one was from August 2, 1966 and featured The Voguesshot on Olvera Street in downtown L.A. (wearing sombreros!), and Bobby Moore, plus regular Keith Allison, Steve Alaimo covering "He Don't Love You" in a truly white-bread manner, the Robbs covering "Younger Girl" behind some disinterested Huntsville, Alabama teens, Tina Mason, and commercials for Borden's Milk Shake, which I remember drinking back then, and Adams gum -- I loved the grape; there's also a promo for Pete Deuel and Judy Carne in "Love on a Rooftop" and a promo for "The Time Tunnel":

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Just the things to waste time on a holiday weekend. Enjoy. (Yes, I know, the embed code tends not to work, so I've added links to the proper pages. They're worth the trouble)


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August 30, 2008

DISASTERS NEAR AND FAR

First, here are the links for live video from New Orleans television stations covering Gustav: CBS affiliate WWL-TV; NBC affiliate WDSU-TV; Fox affiliate WVUE-TV; ABC affiliate WGNO-TV.

=========================

Today, we saw "The House Bunny."

I prayed for someone to start a cell phone conversation for something more entertaining. I'd tell you more details, but you don't need to clutter your mind with that. And now, I get to pick the next three movies, since Frran's to blame for this one.

On the plus side, the theater was mostly empty and the air conditioning worked.


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About August 2008

This page contains all entries posted to PMSimon.com in August 2008. They are listed from oldest to newest.

July 2008 is the previous archive.

September 2008 is the next archive.

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